Capturing Life on Canvas

We left for Nashville a couple of days before Christmas, and because Lacey’s family was visiting the other grandparents in Huntsville, Alabama, Amy and I had a chance to go someplace a little special. Our choice took us to the Frist Center to view the Norman Rockwell exhibit. That Sunday afternoon turned into a wonderful time to see up close the work of an artist that has inspired millions for almost a century.
One of the first paintings visitors espy and then spend several minutes viewing is titled “Discovery.” It depicts a young boy who finds a Santa Claus suit in the bottom drawer in his dad’s dresser. The child’s look
expresses the shock and disappointment when one of life’s most magical beliefs crumbles. All of us remember when Santa disappeared from our lives. It happened for me one Christmas when I heard my parents sneaking presents under the tree after we’d gone to bed. Our bedroom was directly across the hall from the living room, so only the slightest noisy would wake us up. It was hard to believe that Santa was our parents. That shock was only equaled with the news from older boys about how Jim and I “really” came to be. Sometimes in life, discovering things rocks our worlds.
Another painting, “Skinny Dipping,” shows a group of boys and a dog running, presumably, from a person who has caught them swimming in some forbidden area. A lifetime ago, the Ball Camp boys rode bikes over the ridge to Karns on our way to Beaver Creek. We found a deep spot in that winding creek and stripped naked to jump in the water and cool off on a summer’s day. Like most things in youth, activities that are forbidden become the things that bring the most fun. That includes smoking rabbit tobacco and paper from grocery bags or swiping water melons from a farm.
The painting titled “Blessing” brings back plenty of memories for us older Americans. At every supper and dinner, our family began with “God is great, God is good/Let us thank him for our food…” Those words blessed the food we ate from the earliest times I remember.
On one occasion, Jim and I came to the table still goofing off as we boys were wont to do. We began saying the blessing, but half way through, we got tickled and burst out in laughter. Daddy did not take to our behavior at all, and before we could blink our eyes, he had scooped us up and swatted our behinds. We stood crying, and upset over his reaction, and Daddy hopped in the car and drove off. He came home after a while, and we all made up. By the way, no one ever laughed during another blessing.
Maybe the best painting by Rockwell is titled “Going and Coming.” The dual scene shows a car packed with family and pets and supplies for a fun-filled day at the lake. Kids are squirming, and parents are smiling as they make the journey. On the way home, it’s a different story. The kids wear looks of exhaustion. Mom holds the youngest in her lap, and it appears as if any moment she might pass out. The father’s exasperated look indicates he needs to arrive home soon to escape too much family togetherness. The grandmother wears the same scowl on both sides of the trip. Even the dog’s energy is depleted on the long ride home. Rockwell captures the true sides of events in most families’ lives.
I wonder what Norman Rockwell would choose as settings for paintings today. Surely one would include a computer or video game or cell phone. Another might well depict the struggles of today’s middle class as folks try to keep up with prices with faltering wages. He might even take to the canvas to portray the mindless babble and intransigence that comes from our nation’s government. What’s for sure is that Norman Rockwell is the master of capturing the essence of American life from decades in the past. We all should be thankful that so much of his work available and that it memorializes life as so many have known.

If you get a chance to attend the showing, take it and be amazed by the man’s work. If not, check out a book of his work and spend some time with family looking at those paintings and the messages they present.

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